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Controversy Erupts Over Reggaeton Hit "+57" From Colombian Superstars

A new reggaeton track featuring top Colombian artists has sparked debate over its explicit lyrics and portrayal of children, igniting discussions about cultural representation.

By Genevieve GlatskySource: nytimes.com1 min read
Controversy Erupts Over Reggaeton Hit "+57" From Colombian Superstars
Image via nytimes.com

In brief

The release of reggaeton song "+57" by prominent Colombian artists including J Balvin and Karol G has generated both commercial success and social backlash. Critics argue the song sexualizes minors and perpetuates negative stereotypes, while supporters defend the genre's artistic expression.

In Medellín, a city recognized as a hub of reggaeton, the genre—birthed in Panama and amplified by Puerto Rican musicians—has reached new heights with the release of the song “+57.” This track features a powerhouse collaboration of eight major Colombian artists, including global stars such as Karol G, J Balvin, and Maluma, and is named after Colombia's country code. While the song soared to the top of the Colombian Spotify charts, amassing over 35 million streams worldwide, its lyrics have ignited controversy. Notably, lines like “A mamacita since she was 14” and references to a "baby" that "goes out whenever she wants" have incited outrage among many Colombians who argue the lyrics sexualize children and endorse harmful societal stereotypes. The response has split opinions, with some defending reggaeton as an expressive cultural force in Latin America while others contend that the song places Colombian culture in a negative light. Experts note that the combined star power and branding of “+57” have amplified its significance, drawing significant attention that other reggaeton tracks may not receive.The lyrics have sparked discussions about the responsibilities of artists in representing their culture and the potential repercussions of their messages. As the debate over artistic freedom versus social accountability continues, this track remains a focal point in Colombia's conversation about music, culture, and morality.

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